Dear Maria Semple,

Where'd You Go Bernadette?

Where’d You Go Bernadette?

Where’d You Go, Bernadette? made me laugh very hard which, at my age often invites involuntary bladder participation, so I didn’t read it on the bus or in

Pill Popper's To-Do List

Pill Popper’s To-Do List

any other public place where I might embarrass myself. But I loved it and am writing to thank you for it.

Reviewers call your tale a “multi-media” novel because it’s comprised of assorted documents including report cards, legal papers, e-mails, medical reports, blog posts, bills, letters, and magazine articles. You tied these together through your gifted 14-year-old narrator Bee Branch who recounts coming of age while Bernadette, her devoted mother, an introverted, narcissistic, agoraphobic, pill-popping architectural genius, comes apart and then pulls herself together. These two live with Elgin Branch, Bee’s dad and Bernadette’s husband, in Seattle where “Elgie” heads a key project at Microsoft.

Windows Icon

Windows Icon

Inspired by Bel Kaufman whose Up the Down Staircase is one of my favorite “multi-media” novels, I wrote my very first mystery, The “M” Word,  in the early Nineties as a compilation of e-mails, faxes, student compositions and other documents crucial to the life of narrator Bel Barrett, a menopausal community college English prof. But my editor felt that mystery readers weren’t up to the “challenge” of a multi-media approach. She insisted that I revise, limiting the documents to a brief e-mail at the start of each chapter. So I’m delighted to see that your editors have more faith in your readership! As one of your readers, I love the multiplicity of voices and perspectives you share. In The Bones and the Book, I use two voices, a diarist’s and another first person narrator’s. Doing so was exciting, especially since one is translating the other and they live in two different time periods. Where’d You Go, Bernadette? has inspired me to use this approach again.

I especially love Bernadette’s wild rants when she skewers Seattle. As a relative newcomer to the Puget Sound area, I also recall shivering in the region’s notorious coolness to strangers, “the Seattle Freeze,” that Bernadette remarks on. I live in Issaquah, but I get the Seattle scene and appreciate Bernadette’s satirical descriptions of the Emerald City’s fashion statements, hair styles (“gray hair and long gray hair”), weather (gray),

Gray Cloud over Seattle

Gray Cloud over Seattle

conversational gambits (weather), traffic issues, obsessional branding, street people, and proximity to both Idaho (Idaho?) and Canada. As a parent, grandparent, and retired teacher, I also get her send up of schools suffering from extreme progressivism. And I recognize Microsoft where “Elgie,” a TEDtalk star, reigns over a kingdom of free candy machines, cubes, and clocks counting the hours until the next product ships.

Take Out

Take Out

But your story is hardly one long giggle. At its heart is a troubled woman, an inventive iconoclast, who makes a few mistakes early on that are compounded by a series of miscarriages and the fact that Bee is born with a defective heart requiring many surgeries to correct. Bernadette suffers a kind of twenty-year-long breakdown that does not prevent her from being a devoted mom but does prevent her from being an effective architect, homemaker, parent volunteer, and neighbor. In fact, her state of mind and inability to relate to anyone besides Bee prevent her from doing very much, so her family survives on take-out and Bernadette secretly outsources all errands, domestic chores, bill paying, and travel planning to a virtual assistant in India! (Who doesn’t occasionally have the urge to do that?)

Bernadette’s misery and social ineptness keep getting her and those around her into serious trouble so that her constant catastrophizing is not

Blackberry Vine

Blackberry Vine

without basis. I’ve been known to catastrophize a bit myself, so I identify with Bernadette’s anxiety about travel and socializing although neither of these activities triggers my terror. I noted with interest that the ills that actually befall Bernadette are not the ones she worries about. For example she’s terrified of experiencing sea sickness on a family trip to Antarctica but, when she gets to sea, she proves quite functional. “Safe” at home, however, her handling of the invasive blackberry vines wreaks havoc on her next-door neighbors, literally rendering the hapless family homeless, ruining a school fundraiser, and scaring lots of little kids. So beneath the hilarious satire of Seattle’s culture and the up-to-the-minuteness of this book is the familiar story of a brilliant but flawed woman struggling to be worker, wife, and mom all at once when none of these realms is going well.

Thanks for a wonderful read.

Sincerely,

Jane Isenberg

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6 Comments

Filed under feminist fiction, Humorous fiction, Uncategorized

6 responses to “Dear Maria Semple,

  1. Jane – can’t wait for your next novel – may it be chock full of multi-media now that the world of publishing has caught up with where you were in the 90s :)

  2. Oh, this looks good! Definitely adding it to my wish list.

  3. What an interesting post. I wonder why your editor thought you should limit the documents to a brief e-mail at the start of each chapter?
    Are you working on your next novel?

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